Lady Christina leaves the stage at the end of another performance in another venue above another pub.
She's tired of metro-sexual audiences looking for something a little risqué to tell their mothers about, she's tired of young drag queens making it look easy, and she's tired of putting on the make-up and becoming someone else every night.
Drag has become a drag, and tonight could be her last ever show.
But when the make-up starts to come off, the face in the mirror takes Christopher Laneghan back to the life he lived before she came along. Can he live, if living is without her?
Supported by Highland Pride.